For eons, there have been two sides of a debate. This debate centers on how someone should take on a creative endeavor. The sides of this debate have gone by various names throughout the years, and I’m not going to go into the names. For this article, I’ll just call the two sides of this debate the plotters and the pansters.

It has been said that plotters will meticulously plot out every intricate detail of their creative endeavor, sometimes having every single word plotted out before they even begin … if that’s even possible. The thought of writing, drawing, or even speaking makes plotters short of breath, gives them clammy hands, and makes doing even the most benign and routine tasks nearly impossible.

Pantsers, on the other hand, loathe the idea of plotting out their creative endeavor. In fact, the very mention of the word “plotter” causes a series of involuntary reactions that range from small convulsive fits to hot flashes, loss of breath, and frequent blackouts.

Both conditions are serious.

Fortunately, there might be a way to overcome the need to declare oneself a pantser or a plotter, and thus suffer the resulting symptoms.

But more on that in a minute.

I made a discovery this morning that just bolstered my belief that doing one simple thing when taking on any creative endeavor, in my case, it was writing a non-action scene that involved two of the main characters speaking on the phone.

This process has probably been hashed out millions of times before I discovered it, and there are probably a million different ways to get what I wanted to do done. However, my method works best for me, since I took what I’d learned from those who went before me and applied it to my life and my circumstances.

My solution is simple: Outline your endeavor.

Outlining is not plotting, at least not in the literal sense …

Well, okay, maybe it is plotting. But that’s okay. Honestly, for you pantsers out there, while I respect your creative journey, I also am of the opinion that you are also on the grief spectrum.

You might have heard of these stages before:

1. Denial
2. Anger
3. Bargaining
4. Depression
5. Acceptance

I’d wager that every one of you is somewhere along this spectrum when it comes to your views on plotting your work. I won’t go into details … you know who you are.

However, what I call outlining, is probably going to sound insufficient to many of you plotters out there. In fact, what I am about to describe will probably put you in one of the same camps as those mean, nasty panters out there.

Fortunately, there is a way for every one of you to come to terms with your condition and to finally get to the fifth stage of grief.

The power of the number 7

There is a reason the number 7 is ubiquitously awesome. There are seven days in the week, seven deadly sins, seven virtues, seven ancient wonders, seven colors in the spectrum … the list goes on. For more useless “seven” facts, read this article.

In my attempts to try and outline my novels, lessons, speeches, nonfiction works, and lectures to my kids (yes … I outline those as well … but hey, during the day I’m an attorney …) I’ve tried tons of different methods. But every single one of them ends up using some iteration of the number seven.

So, to simplify things for myself, my outlines only ever contain seven bullet points. And my bullet points are never more than 7 words. (I understand you may think I’m taking this to the extreme, and who am I to deny it. However, I more or less only use three or four words to describe my bullet points and rarely get up to the mythical number seven … for reasons I’ll go over later.)

So when I outline my novel, I have seven bullets. When I outline my three acts, I have seven bullets. When I outline my sequences I have seven bullets. This seven goes all the way down to my chapters, scenes, and sometimes even the beats within my scenes.

Additionally, I always use my bullets in a specific order. Every. Single. Time.

The bullets look something like this:

• Inciting Incident
• Snag 1
• Snag 2
• Snag 3
• Crisis
• Climax
• Resolution

Count it if you like. There are seven bullets. No more. No less. And that is perfection.

When in doubt make a quick outline

Using this outline at every single juncture of my writing, but only as much as I need to. My outline serves three purposes.

First, it provides me with a roadmap. For my writing, it shows me the major cities I’m going to need to go through before I get to the end.

Second, it makes me feel good about myself. When I bust out an outline in less than a minute, I feel like I accomplished a whole lot, even though I only filled in seven lines.

Finally, it helps me get rid of writer’s block. Immediately. From my experience, writer’s block happens in two instances: (1) when I get lost and forget where I’m heading in my story and (2) when I need to write a scene in my story but I don’t know what to put into the scene.

To get over the first part, all I do is go back to my initial outline and figure out where I need to get to. Then I go back to the scene I’m struggling with and figure out if it helps me get there or not.

To get over the second part, I just make seven quick bullet points on the side of the page and fill them in real quick. Then I get back to writing. It’s beautiful. If anything, having my outline makes the creative process even more creative it.

Putting it together

If this outline formula is going to work for you, you’re going to need to know what those different parts of the outline mean. You’re going to need to know what the inciting incident, the climax, the crisis, the snags, and the resolutions are.

But once you nail them, outlining becomes easy. You know what you need, you just have to put your characters in a position to go through them.

So, the next time you think you’re lost, or you can’t figure out what to write, try bulleting the seven things you need to cover in your scene. Your work will look better, and you’ll be more productive …

I promise.

The post 3 reasons why outlining actually helps you be more creative in your writing appeared first on Randall Floyd.